Since starting in 2007, Halifax's OBEY Convention has established itself by continuously rallying behind artists and sounds that exist along the periphery. Despite being based in a relatively isolated Atlantic Canadian city best known for its contributions to Celtic music and indie rock, that sees fewer touring bands throughout the year, the festival will celebrate their tenth anniversary May 25-28.
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What began as a DIY showcase for founder Darcy Spidle's label DIVORCE Records, has grown into an annual multi-venue gathering that's seen performances from Canadian and international artists including Mykki Blanco, Tim Hecker, Julianna Barwick, Le1f, RP Boo, and more. For the 2017 edition, the organizers have put together yet another incredible lineup, featuring Philadelphia noise producer Moor Mother, Virginia-based experimental artist Elysia Crampton, Montreal avant-garde composer Kara-Lis Coverdale, and New York industrial duo Uniform.We recently spoke with Spidle by phone, and creative director Andrew Patterson and executive director Kat Shubaly via Skype, to learn about OBEY's humble beginnings and the secrets to their success.
1. Have a strong premise and build on a community that exists.
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2. You don't have to do it alone.
3. Be adaptable to change.
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