CSS
The Glorious, Messy Rise and Fall of New Rave
An oral history of the most colourful moment in UK youth culture.
Some Maniac Drew 'The Simpsons' in Pure Code
These flawless recreations aren't "drawings" in the traditional sense—they're pure code, being rendered live in your browser, and creating them is more programming than Groening.
This Stunning Image Made With Pure Code Is Like a Mood Ring For Your Browser
Diana Smith's work is digital art on ultra-hard mode.
The Definitive History of New Rave in Eight Tracks, Narrated by Jamie from Klaxons
To mark the 10th anniversary of ‘Myths of the Near Future’, we revisited the scene that had you wearing neon skinny jeans and doing bumps of ket and glitter in the club.
Coded Compositions Become Rainbow-Colored Geometries
Kim Asendorf's abstract series of browser-based compositions reconsider modern contemporary.
The Oil Sands’ ‘Cleaner’ Future Looks Awfully Dirty
Steam-powered mining is anything but environmentally friendly.
Ana Rezende and Ivory Coast v. Colombia From a Cab Stand
Ana Rezende heads to various neighborhoods around NYC to meet soccer fans as their motherlands compete in the World Cup.
See The Simpsons Converted Into Computer Code
Programmer Chris Pattle imagines what The Simpsons look like (to your web browser).
CSS Premieres Dre Skull's Lush, Dubbed-Out "Hangover" Remix
Dre Skull soundtracks your approaching summer hangover with this remix of "Hangover," on which he strips away the track's sonic ornamentation and bumps up the lush, reverb-laden dub DNA.
CSS Got Tired of Being Sexy Back In 1983
We spoke to the Brazilian foursome about the sell by date of sexiness and cleared up those rumours about a thieving ex-manager.
Creators Remix Roundup: Montevideo, Chilly Gonzales, And CSS
Tom Furse gives “Castles” a dark side, Solo Piano gets some accompaniment, and CSS has an electro-intervention.
UK Records
As it’s the Mexico Issue we popped over to our buddy Ivan Mendiola’s flat in London and played him a stack of this month’s records so that we could get a real-life Mexican’s view on recorded sound in June 2008.