Back in the late noughties the term "house/bass" was being flung around by a host of electronic music journalists to try and describe a sound that had been around for over thirty years (house) being played by the mass exodus of supreme DJ talent leaving the dying embers of dubstep (bass). This was a few years after "wonky" and around about the time that Whistla was touting his "future garage" tag via the nation's dance music forums. Yeah, it was a wild time for bait genre conception. What the lesser music journalist of the time perhaps failed to focus on at the time is that house music has always had a booming low-end, thanks to the advent of UK garage in the mid-nineties, and it's this most fruitful of genre's that Birmingham's Hybrid Theory draw on to create their own blend of no-nonsense house music.
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